For the past month, I’ve been desperately searching for something inspiring to write while recovering from rotator cuff surgery. It’s not how I envisioned spending my summer, but I’m far from unique, as almost everyone I meet has undergone the same surgery at least once! I guess it is somewhat like a rite of passage, although given an option, I would like to have passed through something more pleasurable. As I mentioned in my previous newsletter, there is always a silver lining to every challenge we face. For me, it is twofold, with the first being a reprieve from my wife’s ever-growing honey-do list, which appears to be gaining interest. The second has been a bit of a challenge, as I’ve tried to reflect on other things that would bring enjoyment now that I’ve been forced to limit my outdoor activities.
Taking time away from the computer and the endless paperwork to read a good Nelson DeMille novel is entertaining and gets my creative juices flowing. His books are full of history and suspense, and the ever-present sarcastic wit of his iconic character, John Corey, someone my wife will tell you, resonates with me. However, even more inspiring to me is music.
Every generation has its favorite recording artists and songs, and while some may disagree, music is a language that touches the soul. It’s perhaps one of the last avenues where people can communicate with each other and where emotions and beliefs can be expressed often without fear of a harsh response. Music makes my heart sing, and I find it takes you on a journey through your life. Most people I know can tell you where they were or what they were doing when a particular song they heard hit the airwaves. While listening to music at home or on a road trip is gratifying, there is nothing like seeing your favorite songs performed live.
Today, you hear terms like “Cover bands,” “Tribute Bands,” and, to some extent, “Impersonators.” It was explained to me, “Impersonators dress like the artists. Cover bands perform the songs but often add their creative interpretation to the music, while Tribute bands have a higher level of audience expectation. It is a full-on symphony and tribute to a great composer or composition.” Vocally and instrumentally, the music is played as close to how the original artist recorded it. To be able to play note for note and vocalize with similar accuracy, I find not only entertaining but captivating.
Todd Pitts is a name you may not recognize, but this gifted musician is akin to the Rich Little of Music, where he has founded not one, but ten tribute bands that pay homage to those recording artists that have touched our lives in one way or another. I first heard Todd’s band, “The Alter Eagles,” an Eagle’s tribute band he founded, play at the Visani Italian Steakhouse and Comedy Theater. I was amazed by how close this talented group of musicians duplicated the vocals and instrumental work of the original Eagles band. Not only did they play each song to perfection, but they were multi-instrumentalists as well. However, despite his success, Todd’s story is a winding tale of a young man’s dream that was derailed, and it took years for that desire to be fulfilled.
Influenced by his mother, an accomplished singer, Todd and his brother started perfecting their vocal skills, paying close attention to the inflections in how each song was performed. Instrumentally, Todd admits he is self-taught, learning to play by ear. Humbly, he classifies himself as “utilitarian,” or in other words, “A singer who plays guitar and drums,” an understatement if you ask me. Todd tells of how they formed a band and were performing from Thursday through Saturday at a local bottle club, an after-hours club in the Tampa area; however, on the final night of this run, he crashed his car in front of the Curtis Hixon Hall in Tampa, ironically the venue where he saw his first concert featuring the band “Rush” four years prior. His music career would take a detour and a dream delayed. For the next 11 years, Todd would serve as a combat paramedic in the U.S. Army in one capacity or another in what he describes as the “Straight Leg Infantry.” During that time, he was stationed for two years in Berlin and eventually transitioned to the mechanized unit out of Fort Polk. He continued his medical specialty, transitioning as a dermatology tech, helping treat patients in various hospitals.
In 1992, Todd entered what he described as “The World of Corporate America,” where Lanier employed him and sold copiers and fax machines. After that, he joined the tech world selling computers with 3-D modeling and effects capabilities. Todd recounted how these systems were used to create Pixar and Jurassic Park animation movies. As with many of us resigned to pursue a career more out of necessity than desire, it appeared Todd was inevitably destined to follow the same path until open heart surgery in 2001 was the awakening he needed. He decided to follow his passion.
In one of my previous newsletters, I mentioned that as a young teenager, we formed a rock and roll band and envisioned ourselves as the next Beatles, as I’m sure most kids did then. The thought one day we’d be playing in front of an audience was a thrill beyond our young imaginations. Of course, reality set in, and our careers were short-lived. However, I gained an inexpressible appreciation for those who can capture the performance of the original artists in such a way that it takes us back to those special moments in our lives. As I’ve gotten older, I find there is a time when we are the most creative, and if not acted upon, it seems to pass. For some, it lasts longer than others, which I find astounding when I think of the number of songs Paul McCartney and John Lennon penned in a relatively short time. Todd summed it up best: “It’s about applying creativity to life.” That time came to Todd 14 years ago when he wanted to recreate the tracks of the original artists as close as possible. He recounts that they performed only 15 shows in the first year, and by the second year, it had expanded to 35. Today, they perform 140 to 150 shows per year. What started as an Eagles tribute band has now grown to 9 additional tribute acts that pay homage to Creedence Clearwater Revival, Tom Petty, The Rolling Stones, Crosby, Stills, Nash and Young, Simon and Garfunkel, The Bee Gees, The Doobie Brothers, Steve Miller and America. Todd’s wife Chandra, who mixes the sound for the band at each show, added, “While our shows have expanded, so have our loyal fans. Each 4th of July, we are the featured band at the historic Daytona Beach Band Shell and have played to audiences approaching 20,000.”
While the number of shows has expanded, and their audience has grown, Todd said their greatest joy and satisfaction comes when looking out from the stage and seeing the smiles and emotions across each face in the crowd. He recounts witnessing a couple during their Simon and Garfunkel show where they closed with the song ”Sound of Silence.” “They were sitting in the front row, and as they moved closer to each other, you could see the emotion that came over their faces….it turned out it was their wedding song.” He tells of their Bee Gees tribute show they performed in Sun City when the crowd of 700 started singing back to the song they were playing. Todd said, “We stopped singing, and the crowd took control of the experience.” “And then you have a young girl in tears as we performed Desperado during our Eagles tribute show.”
Todd summed it best when he said, “Music is very honest and brings you back to those special times in your life.” I often think, in the world in which we live, perhaps music isn’t just a way of escaping some of life’s challenges for a brief moment or two but may be one of the best forms of communication we could have with each other where all our differences are put aside, and we can enjoy the best life has to offer……. together.
To view all their upcoming tribute events, go to www.ClassicTributeslive.com, but book your evening to remember early, as they sell out fast.
-Gary Cardillo
I share a story of blues and rock guitar virtuoso Mike Imbasciani, who has not only entertained multiple generations of local followers for years but is now looking to inspire his generation. Using a combination of music and podcasts Mike challenges the younger generation to get more involved in local politics and become more self-reliant. He believes this leads to “self-sustainability.” We first saw Mike perform when he was so young a hat was passed around to pay him. I was amazed to learn he began playing guitar at five years of age and by 11 was playing professionally. He started his first band at 14 and has compiled a resume of venues he’s played, including The House of Blues in Orlando, Florida, and Tootsie’s Orchid Lounge in Nashville, Tennessee.
While there are many talented bands and musicians in the entertainment industry, Mike is wise beyond his age at 26. His music has entertained generations, but now he’s reaching out to a younger generation, challenging them to better understand economic and political decision-making bodies within their community and become more astute to the changes in the world today.
Through his political and current events based internet podcast, which he calls “The Freedom Chronicles,” Mike wants to get his generation more involved in their community and to ask the questions most take at face value. He said too many people his age don’t want to listen to the news, as it is too biased. They become influenced by the latest opinions and trends found on social media. I heard this same viewpoint from former Younglife area director Tom Parker who said people use social media as their source of information and communication. I remember my interview with Tom, who said,” Today’s generation is more guarded and only shares what they want you to hear.” I learned from him pure communication is often missing, and no longer are they taught to question what is being presented to them, whether it is in school, on social media, or just the opinion of a friend.
Mike is looking at this next generation, which could run for office in a few years. He feels they need to stop relying on government handouts and start questioning the decision makers, parties, and what the media is promoting that are collectively influencing our thought processes. Mike recounted his experience and the negative feedback he received when incorporating the Beatle’s 1968 song, “Back in the U.S.S.R.,” into his repertoire. People asked why he would play a song that held life in the U.S.S.R. in such high regard. They never thought to research Paul McCartney’s thought process in writing the song, which was considered a musical satire that poked fun at just about everyone during that time. Mike explains this is what is going on today. “People don’t question, they take everything at face value, and there is no middle ground. People don’t talk to each other; they talk at each other,” a viewpoint I’ve had for years. He feels both sides of the aisle and the media share most of the blame. However, he feels it goes deeper, and people in general, and his generation in particular, need to get to the root cause of the things that impact society today. Many take the approach that until they feel it affects them personally, there is no need to take action, almost like the frog in boiling water. Mike wants to get people to draw their line in the sand and not play the role of the victim but take action before it is too late. He quoted Psychologist Jordan Peterson, who explained in a GQ interview the thought behind self-defense. He said, “You need to have the capacity for danger. You need to be dangerous. But you need to learn how not to use it except when necessary.” The premise behind his comment was to understand things are not always as they appear, and with knowledge of the underlying cause comes the ability to anticipate and protect one’s self. Mike feels most people are quick to point out the injustices they experience but aren’t willing to take the necessary steps to affect change. His goal is to get his generation, in particular, to start looking at the deeper motives of those that are driving the various issues such as abortion, Covid, the economy, cryptocurrency, the stock market, worldwide financial markets and trends, ongoing wars, and even CBDC (Central Bank Digital Currency; making your money programmable by the government), to name a few. In short, he wants his generation to understand who and what controls these issues that impact us all and how they benefit from them. He feels things are moving very quickly, yet there is a complacency where young people today think if they don’t see how it is affecting them, there is no sense of urgency to question it. He wants his generation to become more aware and self-reliant, which he feels will lead to being more self-sufficient and less dependent on government handouts, which only creates more dependency.
When questioned why he relates to older generations, Mike said he learns more from their life experiences, and having a grandfather who served in World War II has added to his interest in history. His podcasts are full of interesting guests who share their viewpoints, life experiences, and even some with rags-to-riches stories. A few such guests are comedian Bobby “Sauce” Saucilito, who entertains his audience using political humor to get people thinking. At the same time, Tyrone Jackson of “The Good Frank” fame talks about how they went from having a hot dog cart to creating their highly successful brand of hot dogs that arose when they researched the harmful ingredients that went into the hot dogs they sold from their cart.
Mike feels entertainment should be an outlet for us to enjoy and not be used as a political outlet, as we see in sports and entertainment today. “Music and other forms of entertainment can be interpreted in their own way, which keeps it on the individual level once again.” His “Simply Clapton” show pays tribute to this highly regarded artist and reaches across multiple generations. “Music, like comedy, is powerful where people can leave politics behind and forget about their problems.” Mike’s “Imbasciani Chronicles” on Apple Podcast, Youtube, and Spotify is another platform that is music and entertainment based, promotes more of a one-on-one conversation. His podcasts (The Freedom Chronicles and The Imbasciani Chronicles) aim to provide opportunities to get his audience to think about the issues of the day and to have a dialogue.
Music is a language we all enjoy, and Mike and his “BluezRockerz” will continue to reach across generations, and with his “Simply Clapton” tribute show, hopes to reach a younger age who someday could become our next great leaders.
I have often been amazed at the talent all around us, and if you’re like me, you often ask yourself, “How do they do it?” Sometimes those with these unique gifts make it look so easy we think, “I can do that.” I remember when the Beatles first came to the states and appeared on the Ed Sullivan Show. While many artists appeared years before the Beatles, they were credited with ushering in what is referred to as the “British Invasion.” There was something extraordinary about them that everyone wanted to emulate and ride their coattails to success, including us kids. I was in elementary school then, and my father thought it would be a grand idea for my brother and me to learn the accordion. So periodically, we would bring our accordions into school and play for our classmates.
Unfortunately for me, the Beatles, Rolling Stones, and Doors ruined my career on the accordion as my classmates didn’t want to hear me play “Fascination,” or “The Volga Boatman;” they wanted to hear “She Loves You,” “Satisfaction” or “Light My Fire.” Despite my father’s urgings, I quickly ditched the accordion for the more popular guitar and later got into a band. My father said I could take guitar lessons only if I continued with the accordion. I guess he wanted to carry on the rich musical tradition of his father, who attained fame as a composer of opera and was the voice coach of world-renowned opera singer Enrico Caruso. After a half dozen lessons, my accordion/guitar teacher said, “It is very apparent you are no longer practicing the accordion. What puzzles me is you can’t play “Little Brown Jug,” which I gave you to learn on the guitar, but somehow you can play “Light My Fire.” I knew I had reached my right of passage and was on a journey with my friends to a musical career as a rock and roll band guitarist. My bandmates and I thought fame and fortune were just around the corner, as we could now tell our classmates we were in a rock n roll band called “The Illusion.” I never realized how fitting that name was until my father, after hearing one of our band practices in our basement, came down and said, “If my father was still alive and heard this trash you call music, he would destroy the instruments.” I guess it was an illusion; we just didn’t realize it at the time. For someone like myself who was pretty much self-taught how to play the guitar, I compare myself to some musicians today who are self-taught and think, “I would have been better off picking up a rake.
To me, nothing sings more to my soul than music from those British Invasion years and the groups who followed them. However, when I hear some bands cover these songs, I want to listen to them played like the original artists who recorded them. Perhaps I have some of my father in me, as he wasn’t so interested in hearing the interpretation as much as how the song was originally performed. Don’t get me wrong; many artists have done excellent jobs covering songs written and performed by the original artist. Still, when it comes to rock and roll, I love to hear it performed as close to how it was originally written. Two groups come to mind where the members were self-taught on several instruments or took their skills to a higher level that went well beyond the lessons learned. They are “The Alter Eagles” and “Mike Imbasciani and his Bluez Rockerz.”
I’ve followed Mike since he was a solo act and so young they had to pass around a hat for people to tip him for his performance. Over the years, this guitar virtuoso astounds me each time I see him. Talented and highly personable, I find it amazing that he can play lead guitar solo riffs without missing a note, all while walking through the crowd and periodically stopping to engage people in the audience in a short conversation. Most people haven’t mastered the art of walking and chewing gum at the same time, yet Mike can hold a conversation with you while entertaining the rest of the audience. And if you have enjoyed the music of Eric Clapton over the years, Mike’s tribute to this famed artist takes you on a historical journey where he masterfully weaves the inspiring moments of Clapton’s career with the music of that time.
Over the years, I’ve learned the difference between a “cover band” and a “tribute band,” The Alter Eagles are a tribute band that vocally and instrumentally sound precisely like the original Eagles. Todd Pitts, the founder of the band, is self-taught on multiple instruments and has an exceptional vocal range. To read the bios of band members Todd McNamee, Ken Custalow, Tim McMaster, Guy Ruvolo, and Michael Beattie, you will quickly appreciate how they execute each song. Equally engaging and entertaining, I’m amazed at how not one but an entire group of individuals can come together with such precision yet make it look so easy and not just on their instruments. Guy slides over from his drums to keyboard, and guitarists Todd Pitts and Ken Custalow take turns putting aside their guitars to move on to the drums without missing a beat, leaving the audience astounded at the talent on display. I then think of my father’s comments and realize he wasn’t trying to discourage us but to let us know in his way that there is a great deal of passion and innate ability that create those pieces that move us, whether it is in the form of a painting, writing or song. I also realize that we are all born with unique gifts.
When asked how we can create the things we do, we often find ourselves at a loss for words in trying to explain what comes naturally to us but would be a challenge for others. I learned that lesson the hard way while building a deck with my son. While my father was not handy, somehow, I picked up an ability to see things and create them. Our son, who was helping me, asked, “Dad, how do you know how to do this? You make it look so easy?” I was at a loss for words and replied, “I don’t know, I just do.” Unfortunately for me, my wife was within close earshot of my response and, giving me “the look,” said, “That taught him absolutely nothing.” I then shared with him that there is often much thought before the project, making the result look more effortless. You have a mental image of how you want it to look, and then you mentally figure out how to accomplish it; almost like solving a puzzle in your mind.”
While most people would like to talk about themselves, Gary and Gail have always put their clients first, and their diverse backgrounds have provided their clients an unparalleled level of service and knowledge throughout the past years.